This entry is part 20 of 28 in the series magazine covers

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“Suiting Up”  by Mark Ulriksen more here

 

This entry is part 19 of 28 in the series magazine covers

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“Life in the Cuba of Tomorrow” by Bruce McCall 

“I love Cuban cigars, and this sways me more than it should,” McCall says of his own feelings toward the country. “The island’s history—Spanish exploitation, then American exploitation, then the dismal Castro era—is tragic, but Cuban musicians and artists still rule, attesting to an unquenchable creative impulse that has thrived amid all forms of chaos.”

previous covers inspired by momentous events in Cuba:

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“On the Beach,” by R. Sikoryak, January 26, 1998.

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“Fading,” by Ana Juan, March 3, 2008.

This entry is part 18 of 28 in the series magazine covers

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by Christoph Niemann

The New Yorker

Posted: 7th February 2015 by socomic in Comic & Book Covers
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This entry is part 17 of 28 in the series magazine covers

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A Walk in the Snow by Mark Ulriksen

The snowfall last week may have fallen short of the “storm of the century” or “snowmageddon” predictions,  at least in New York City, but for city dwellers and their canine companions it was enough for a snow day, as portrayed in this week’s cover, by Mark Ulriksen.

In his recently published book, “Dogs Rule Nonchalantly,” Ulriksen explains his predilection for painting man’s best friend: “Dogs give you their undivided attention,” he writes. “They watch your every gesture, read your every emotion, listen attentively to every word you say—until they hear the rustle of a bag of chips being opened.” Or, in the winter after a snowstorm, until you open the door to go outside.

 

via:newyorker

This entry is part 16 of 28 in the series magazine covers

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“Limited Visibility’ by Jorge Colombo, who drew this cover on an iPad

 “It was a very foggy night, and the Empire State building kept appearing and disappearing—it was like a beacon, in and out of view. In Manhattan, if you’re ever lost, you sort of look for that spire of the Empire State Building and guide yourself where you’re going—it’s the quickest reference point. So it was very disorienting, standing there and seeing it appear and disappear. I thought, ‘Where am I painting?’ It was like a ghost ship in the middle of the sea.”

via:newyorker

The New Yorker

Posted: 9th January 2015 by socomic in Comic & Book Covers
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This entry is part 15 of 28 in the series magazine covers

The New Yorker

 

Solidarité by Ana Juan

spotted:thecuriousbrain

The New Yorker

Posted: 3rd January 2015 by socomic in Comic & Book Covers
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This entry is part 14 of 28 in the series magazine covers

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“dance around a piano” by Jean-Jacques Sempé

via:newyorker

This entry is part 13 of 28 in the series magazine covers

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 1971, Arthur Getz

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1927, Andre De Schaub

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 1984, Anne Burgess

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 1984, Iris Van Rynbach

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 1986, William Steig

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1986, Iris Van Rynbach

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2007, Joost Swarte

by the newyorker’s archive